Sunday, 29 July 2012

Fakta Angka di Balik "Opening Ceremony"

Fakta Angka di Balik "Opening Ceremony"

Jika pada Sabtu dini hari sekitar pukul 3.00 WIB atau pukul 21.00 GMT Anda menyaksikan Upacara Pembukaan Olimpiade 2012, Anda akan melihat begitu banyak tenaga pendukung, peralatan, hiasan, lampu, dekorasi, dan binatang ternak yang turut menyemarakkan acara ini.

Berdasarkan data yang telah dikumpulkan oleh AFP, ada 7.000.000 lembar kertas berserakan, 1.000.000 watt digunakan, 640.000 LED pixel pada layar penonton, 57.000 garmen digunakan untuk membangun acara pembukaan hari Jumat (27/7/2012) malam waktu setempat.

Selain itu, acara ini juga menggunakan 40.000 botol plastik yang didaur ulang untuk dijadikan kostum. 15.000 meter persegi untuk panggung, 7.500 sukarelawan, 7.346 meter persegi tanah gambut digunakan, 6.500 properti, 965 penabuh drum, 600 penari dari National Health Service, dan 320 tempat tidur rumah sakit.

Panjang kabel yang menghubungkan pixel di layar-layar raksasa 317 km, 284 kali latihan, 70 hari putaran obor Olimpiade, 50 bahasa yang digunakan oleh anak-anak yang ikut ambil bagian, 40 domba, 32 payung, 12 kuda, dan 3 sapi.

Tuesday, 24 July 2012

THEATER / DRAMA - 5000 YEARS HISTORY OF INDIAN THEATRE

THEATER / DRAMA - 5000 YEARS HISTORY OF INDIAN THEATRE

 “NATYA SHASTRA”BY “BHARATA MUNI”IS

THE OLDEST EVIDENCE OF INDIAN ARTS AND THEATRE

The Natya Shastra is the oldest surviving text on stagecraft in the world.  It is believed to have been written by Bharata Muni between 200 AD and 200 BC.  However there are scholars who believe that it may have been written by various authors at different times.The text is written in the Sanskrit language, and consists of 6,000 sutras, or verse stanzas, incorporated in 36 chapters. There are some passages that are composed in a prose form.Ten types of drama, ranging from one to ten acts, are described. The Natya Shastra, wide in its scope, covers stage-design, music, dance, makeup, and virtually every aspect of stagecraft. Bharata refers to bhavas and rasas, and stipulates that the plays should have a mingling of rasas and not be dominated by a single one.As the only text which gives all details about the music and instruments of the earlier period, Natya Shastra is of great relevance to musicians as well.